<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-19185617</id><updated>2011-04-21T19:12:48.801-07:00</updated><title type='text'>Sequential Skeletons</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://sequentialskeletons.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/19185617/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://sequentialskeletons.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>Charlito and Mister Phil</name><uri>http://www.blogger.com/profile/05482247971526855884</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://3.bp.blogspot.com/_mQxCWacTV_o/SRKRcSutCvI/AAAAAAAAAAM/2PLmgY_g58U/S220/isr.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>8</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-19185617.post-114481134587188638</id><published>2006-04-11T20:08:00.000-07:00</published><updated>2006-04-11T20:09:11.276-07:00</updated><title type='text'></title><content type='html'>&lt;img src="http://podcast.inmotionhosting.com/skeletonmain.jpg" /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/19185617-114481134587188638?l=sequentialskeletons.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/19185617/posts/default/114481134587188638'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/19185617/posts/default/114481134587188638'/><link rel='alternate' type='text/html' href='http://sequentialskeletons.blogspot.com/2006/04/blog-post_11.html' title=''/><author><name>Charlito and Mister Phil</name><uri>http://www.blogger.com/profile/05482247971526855884</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://3.bp.blogspot.com/_mQxCWacTV_o/SRKRcSutCvI/AAAAAAAAAAM/2PLmgY_g58U/S220/isr.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-19185617.post-114480906827767267</id><published>2006-04-11T19:21:00.000-07:00</published><updated>2006-04-11T20:11:01.980-07:00</updated><title type='text'>Michael Zulli</title><content type='html'>From &lt;a href="http://indiespinnerrack.blogspot.com/2006/04/indie-spinner-rack-issue-21-part-2.html"&gt;Indie Spinner Rack Issue #21: Part 2&lt;/a&gt;&lt;br /&gt;&lt;table cellspacing="0" cellpadding="0" width="92%" border="0"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td width="75%"&gt;&lt;span style="font-family:arial;"&gt;&lt;strong&gt;Alice Cooper: The Last Temptation&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;Neil Gaiman and Michael Zulli (and Alice) are your guides for this exploration of fear. Unfortunately, it looks much better than it reads, and the original color version looks better than the recent b&amp;w collection from Dark Horse&lt;/span&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="font-size:85%;"&gt;.&lt;br /&gt;&lt;em&gt;Alice Cooper: The Last Temptation #1, 1994&lt;/em&gt;&lt;/span&gt; &lt;/span&gt;&lt;/td&gt;&lt;td width="32%"&gt;&lt;img height="200" src="http://podcast.inmotionhosting.com/alice.jpg" width="131" /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;table cellspacing="0" cellpadding="0" width="93%" border="0"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td width="35%"&gt;&lt;img height="200" src="http://podcast.inmotionhosting.com/tmnt.jpg" width="130" /&gt;&lt;/td&gt;&lt;br /&gt;&lt;td width="65%"&gt;&lt;strong&gt;&lt;span style="font-family:Arial;"&gt;Soul's Winter&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:arial;"&gt;Zulli and his &lt;em&gt;the Puma Blues&lt;/em&gt; collaborator Stephen Murphy elevate the Teenage Mutant Ninja Tutles to an unthinkable new level. Call it the Turtle Blues and get it into your collection&lt;/span&gt;&lt;span style="font-family:Arial;"&gt;.&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;&lt;em&gt;Teenage Mutant Ninja Turtles #31-33, 1990&lt;/em&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;table cellspacing="0" cellpadding="0" width="92%" border="0"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td width="75%"&gt;&lt;strong&gt;&lt;span style="font-family:Arial;"&gt;Noodles&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;The Tundra Sketchbook series gives us a glimpse into Zulli's world. Includes some preliminary work from Sweeney Todd and an introduction by Neil Gaiman&lt;/span&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;.&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="font-size:85%;"&gt;&lt;em&gt;Tundra Sketchbook Series #3, 1991&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/td&gt;&lt;td width="32%"&gt;&lt;img height="200" src="http://podcast.inmotionhosting.com/noodles.jpg" width="134" /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;table cellspacing="0" cellpadding="0" width="93%" border="0"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td width="35%"&gt;&lt;img height="200" src="http://podcast.inmotionhosting.com/sweeney.jpg" width="130" /&gt;&lt;/td&gt;&lt;br /&gt;&lt;td width="65%"&gt;&lt;strong&gt;&lt;span style="font-family:Arial;"&gt;Sweeney Todd&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;Another potentially great series from the early 90's that never came to fruition. Neil Gaiman and Zulli started to give us what promised to be a great story full of meat. All we saw was a Penny Dreadful preview and Chapter One. Enjoy what we got as it will probably never be completed&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:arial;"&gt;.&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;&lt;em&gt;Sweeney Todd Penny Dreadful - Taboo #6, 1992&lt;br /&gt;Sweeney Todd Chapter One - Taboo #7, 1992&lt;/em&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div style="CLEAR: both; PADDING-BOTTOM: 0.25em"&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/19185617-114480906827767267?l=sequentialskeletons.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/19185617/posts/default/114480906827767267'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/19185617/posts/default/114480906827767267'/><link rel='alternate' type='text/html' href='http://sequentialskeletons.blogspot.com/2006/04/michael-zulli.html' title='Michael Zulli'/><author><name>Charlito and Mister Phil</name><uri>http://www.blogger.com/profile/05482247971526855884</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://3.bp.blogspot.com/_mQxCWacTV_o/SRKRcSutCvI/AAAAAAAAAAM/2PLmgY_g58U/S220/isr.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-19185617.post-113531322407035346</id><published>2005-12-22T20:45:00.000-08:00</published><updated>2005-12-22T20:48:57.386-08:00</updated><title type='text'></title><content type='html'>&lt;img src="http://podcast.inmotionhosting.com/skeletonmain.jpg" /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/19185617-113531322407035346?l=sequentialskeletons.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/19185617/posts/default/113531322407035346'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/19185617/posts/default/113531322407035346'/><link rel='alternate' type='text/html' href='http://sequentialskeletons.blogspot.com/2005/12/blog-post.html' title=''/><author><name>Charlito and Mister Phil</name><uri>http://www.blogger.com/profile/05482247971526855884</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://3.bp.blogspot.com/_mQxCWacTV_o/SRKRcSutCvI/AAAAAAAAAAM/2PLmgY_g58U/S220/isr.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-19185617.post-113531509894033123</id><published>2005-12-22T20:40:00.000-08:00</published><updated>2005-12-22T22:41:34.230-08:00</updated><title type='text'>Kent Williams</title><content type='html'>From &lt;a href="http://indiespinnerrack.blogspot.com/2005/12/indie-spinner-rack-issue-11-part-two.html"&gt;Indie Spinner Rack Issue #11: Part Two&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;table cellspacing="0" cellpadding="0" width="92%" border="0"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td width="75%"&gt;&lt;span style="font-family:arial;"&gt;&lt;strong&gt;Sabre #4&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="font-size:85%;"&gt;Kent provided the cover art for several issues of this Don McGregor (no relation to our own Chucky McGreggor) series. He also did some back-up work in a few issues, but not this one.&lt;br /&gt;&lt;em&gt;Sabre #4, 1983&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/td&gt;&lt;td width="32%"&gt;&lt;a href="http://podcast.inmotionhosting.com/sabre4.jpg"&gt;&lt;img height="200" src="http://podcast.inmotionhosting.com/th_sabre4.jpg" width="144" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;table cellspacing="0" cellpadding="0" width="93%" border="0"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td width="35%"&gt;&lt;a href="http://podcast.inmotionhosting.com/xmen252.jpg"&gt;&lt;img height="170" src="http://podcast.inmotionhosting.com/th_xmen252.jpg" width="130" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;br /&gt;&lt;td width="65%"&gt;&lt;strong&gt;&lt;span style="font-family:arial;"&gt;Where's Wolverine?!?&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;Kent inks over Rick Leonardi in this fill-in issue that also features a cover by the odd pair of Jim Lee and Bill Sienkiewicz.&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:arial;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;em&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;The Uncanny X-Men #252&lt;/span&gt;&lt;/em&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;&lt;em&gt;, 1989&lt;/em&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;table cellspacing="0" cellpadding="0" width="92%" border="0"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td width="75%"&gt;&lt;strong&gt;&lt;span style="font-family:arial;"&gt;Doctor Zero&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;One of the few good things about Epic's Shadowline Saga was some great covers by Jon Muth, Bill Sienkiewicz, Kevin Nowlan and Kent&lt;/span&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;.&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="font-size:85%;"&gt;&lt;em&gt;Doctor Zero #8, 1989&lt;/em&gt;&lt;/span&gt; &lt;/span&gt;&lt;/td&gt;&lt;td width="32%"&gt;&lt;a href="http://podcast.inmotionhosting.com/drzero8.jpg"&gt;&lt;img height="200" src="http://podcast.inmotionhosting.com/th_drzero8.jpg" width="130" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;table cellspacing="0" cellpadding="0" width="93%" border="0"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td width="35%"&gt;&lt;a href="http://podcast.inmotionhosting.com/raybrad.jpg"&gt;&lt;img height="200" src="http://podcast.inmotionhosting.com/th_raybrad.jpg" width="130" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;br /&gt;&lt;td width="65%"&gt;&lt;strong&gt;&lt;span style="font-family:arial;"&gt;Dark They Were, and Golden-Eyed&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;Kent and John Van Fleet's lush adaptation of a Bradbury parable&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:arial;"&gt;.&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;em&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;The Ray Bradbury Chronicles #1&lt;/span&gt;&lt;/em&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;&lt;em&gt;, 1992&lt;/em&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;table cellspacing="0" cellpadding="0" width="92%" border="0"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td width="75%"&gt;&lt;span style="font-family:arial;"&gt;&lt;strong&gt;Tell Me, Dark&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="font-size:85%;"&gt;A love story brewing with mysteries and betrayals showcasing Kent in top form. A pre-Vertigo Vertigo graphic novel by Karl Edward Wagner, John Ney Rieber and Kent Williams.&lt;br /&gt;&lt;em&gt;Tell Me, Dark, 1992&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/td&gt;&lt;td width="32%"&gt;&lt;a href="http://podcast.inmotionhosting.com/tmd.jpg"&gt;&lt;img height="177" src="http://podcast.inmotionhosting.com/th_tmd.jpg" width="130" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;table cellspacing="0" cellpadding="0" width="93%" border="0"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td width="35%"&gt;&lt;a href="http://podcast.inmotionhosting.com/aone3.jpg"&gt;&lt;img height="200" src="http://podcast.inmotionhosting.com/th_aone3.jpg" width="121" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;br /&gt;&lt;td width="65%"&gt;&lt;strong&gt;&lt;span style="font-family:arial;"&gt;Where Is It?&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;This evocative tale of memory is one of the highlights of the anthology's four-issue run.&lt;br /&gt;&lt;/span&gt;&lt;em&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;A1 Vol.2 #3, 1992&lt;/span&gt;&lt;/em&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;table cellspacing="0" cellpadding="0" width="92%" border="0"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td width="75%"&gt;&lt;strong&gt;&lt;span style="font-family:arial;"&gt;Hellblazer&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;Following Dave McKean's series of covers, Kent outdoes himself with a remarable series of his own. The figures in this one also appear in 'The Front,'&lt;br /&gt;from Kent's &lt;em&gt;War Prayer&lt;/em&gt; series of paintings&lt;/span&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;.&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="font-size:85%;"&gt;&lt;em&gt;Hellblazer #39, 1991&lt;/em&gt;&lt;/span&gt; &lt;/span&gt;&lt;/td&gt;&lt;td width="32%"&gt;&lt;a href="http://podcast.inmotionhosting.com/hb39.jpg"&gt;&lt;img height="200" src="http://podcast.inmotionhosting.com/th_hb39.jpg" width="130" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;table cellspacing="0" cellpadding="0" width="93%" border="0"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td width="35%"&gt;&lt;a href="http://podcast.inmotionhosting.com/epic33.jpg"&gt;&lt;img height="169" src="http://podcast.inmotionhosting.com/th_epic33.jpg" width="130" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;br /&gt;&lt;td width="65%"&gt;&lt;strong&gt;&lt;span style="font-family:arial;"&gt;Briar Rose&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;Kent does the Brothers Grimm, with Lynn Parrish&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:arial;"&gt;.&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;em&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;Epic Illustrated #33&lt;/span&gt;&lt;/em&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;&lt;em&gt;, 1985&lt;/em&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;table cellspacing="0" cellpadding="0" width="92%" border="0"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td width="75%"&gt;&lt;span style="font-family:arial;"&gt;&lt;strong&gt;Flinch&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="font-size:85%;"&gt;Vertigo's horror anthology series featured a short by Kent as well as this cover.&lt;br /&gt;&lt;em&gt;Flinch #6, 1999&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/td&gt;&lt;td width="32%"&gt;&lt;a href="http://podcast.inmotionhosting.com/flinch6.jpg"&gt;&lt;img height="200" src="http://podcast.inmotionhosting.com/th_flinch6.jpg" width="130" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;table cellspacing="0" cellpadding="0" width="93%" border="0"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td width="35%"&gt;&lt;a href="http://podcast.inmotionhosting.com/village.jpg"&gt;&lt;img height="126" src="http://podcast.inmotionhosting.com/th_village.jpg" width="130" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;br /&gt;&lt;td width="65%"&gt;&lt;strong&gt;&lt;span style="font-family:arial;"&gt;The Village&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;An excerpt from David Mamet's first novel was accompanied by this outstanding illustration.&lt;br /&gt;&lt;/span&gt;&lt;em&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;Playboy Magazine, 1994&lt;/span&gt;&lt;/em&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;table cellspacing="0" cellpadding="0" width="92%" border="0"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td width="75%"&gt;&lt;strong&gt;&lt;span style="font-family:arial;"&gt;The Canine Connection&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;A great painting in an unlikely place.&lt;br /&gt;Accompanied an article on workplace drug policies.&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;&lt;/span&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="font-size:85%;"&gt;&lt;em&gt;Security Management, 1994&lt;/em&gt;&lt;/span&gt; &lt;/span&gt;&lt;/td&gt;&lt;td width="32%"&gt;&lt;a href="http://podcast.inmotionhosting.com/th_scdog.jpg"&gt;&lt;img height="172" src="http://podcast.inmotionhosting.com/th_scdog.jpg" width="130" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;table cellspacing="0" cellpadding="0" width="93%" border="0"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td width="35%"&gt;&lt;a href="http://podcast.inmotionhosting.com/dandm.jpg"&gt;&lt;img height="169" src="http://podcast.inmotionhosting.com/th_dandm.jpg" width="130" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;br /&gt;&lt;td width="65%"&gt;&lt;strong&gt;&lt;span style="font-family:arial;"&gt;Drawings &amp; Monotypes&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;An incredible collection of figure work. One of my favorite art books&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:arial;"&gt;.&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;em&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;Kent Williams: Drawings &amp;amp; Monotypes&lt;/span&gt;&lt;/em&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;&lt;em&gt;, 1991&lt;/em&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;table cellspacing="0" cellpadding="0" width="92%" border="0"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td width="75%"&gt;&lt;span style="font-family:arial;"&gt;&lt;strong&gt;Killing&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="font-size:85%;"&gt;Probably the 'artsiest' Wolverine has ever been. You can almost forget that it's a Wolverine book.&lt;br /&gt;&lt;em&gt;Wolverine: Killing, 1993&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/td&gt;&lt;td width="32%"&gt;&lt;a href="http://podcast.inmotionhosting.com/wolverine.jpg"&gt;&lt;img height="198" src="http://podcast.inmotionhosting.com/th_wolverine.jpg" width="130" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;table cellspacing="0" cellpadding="0" width="93%" border="0"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td width="35%"&gt;&lt;a href="http://podcast.inmotionhosting.com/earlyspring.jpg"&gt;&lt;img height="131" src="http://podcast.inmotionhosting.com/th_earlyspring.jpg" width="100" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;br /&gt;&lt;td width="65%"&gt;&lt;strong&gt;&lt;span style="font-family:arial;"&gt;Early Spring&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;Kent showcased on the cover of the North Carolina Literary Review. This huge painting is owned by a famous actor. &lt;em&gt;Damn&lt;/em&gt;.&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:arial;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;em&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;North Carolina Literary Review&lt;/span&gt;&lt;/em&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;&lt;em&gt;, 1997&lt;/em&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;table cellspacing="0" cellpadding="0" width="92%" border="0"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td width="75%"&gt;&lt;strong&gt;&lt;span style="font-family:arial;"&gt;Converse&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;A recent billboard painted by Kent on display&lt;br /&gt;in Los Angeles&lt;/span&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;.&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="font-size:85%;"&gt;&lt;em&gt;Billboard, 2005&lt;/em&gt;&lt;/span&gt; &lt;/span&gt;&lt;/td&gt;&lt;td width="32%"&gt;&lt;a href="http://podcast.inmotionhosting.com/converse.jpg"&gt;&lt;img height="67" src="http://podcast.inmotionhosting.com/th_converse.jpg" width="130" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;div style="CLEAR: both; PADDING-BOTTOM: 0.25em"&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/19185617-113531509894033123?l=sequentialskeletons.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/19185617/posts/default/113531509894033123'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/19185617/posts/default/113531509894033123'/><link rel='alternate' type='text/html' href='http://sequentialskeletons.blogspot.com/2005/12/kent-williams.html' title='Kent Williams'/><author><name>Charlito and Mister Phil</name><uri>http://www.blogger.com/profile/05482247971526855884</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://3.bp.blogspot.com/_mQxCWacTV_o/SRKRcSutCvI/AAAAAAAAAAM/2PLmgY_g58U/S220/isr.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-19185617.post-113269725045993362</id><published>2005-11-21T00:00:00.000-08:00</published><updated>2005-11-26T00:02:41.960-08:00</updated><title type='text'>Grant Morrison</title><content type='html'>From &lt;a href="http://indiespinnerrack.blogspot.com/2005/11/indie-spinner-rack-issue-9.html"&gt;Indie Spinner Rack Issue #9&lt;/a&gt;&lt;br /&gt;&lt;table cellspacing="0" cellpadding="0" width="92%" border="0"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td width="75%"&gt;&lt;span style="font-family:arial;"&gt;&lt;strong&gt;Bible John: A Forensic Meditation&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;Morrison's haunting exploration of evil based on the notorious uncaptured murderer who killed three women in Glasgow in the late 1960's. Excellent atmospheric art by Daniel Vallely, showing great range in his use of mixed media painting and collage. &lt;/span&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="font-size:85%;"&gt;It's like a modern, Scottish &lt;em&gt;From Hell&lt;/em&gt;.&lt;br /&gt;&lt;em&gt;Crisis Magazine #56-61, 1991&lt;/em&gt;&lt;/span&gt; &lt;/span&gt;&lt;/td&gt;&lt;td width="32%"&gt;&lt;a href="http://podcast.inmotionhosting.com/biblejohn.jpg"&gt;&lt;img height="200" src="http://podcast.inmotionhosting.com/th_biblejohn.jpg" width="131" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;table cellspacing="0" cellpadding="0" width="93%" border="0"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td width="35%"&gt;&lt;a href="http://podcast.inmotionhosting.com/am5.jpg"&gt;&lt;img height="200" src="http://podcast.inmotionhosting.com/th_am5.jpg" width="130" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;br /&gt;&lt;td width="65%"&gt;&lt;span style="font-family:arial;"&gt;&lt;strong&gt;The Coyote Gospel&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:arial;"&gt;Grant does the impossible. He finds a way&lt;/span&gt; &lt;span style="font-family:arial;"&gt;to make you feel guilty each time you watch&lt;/span&gt; &lt;span style="font-family:arial;"&gt;a Wile E. Coyote cartoon. Surprisingly touching,&lt;/span&gt; &lt;span style="font-family:Arial;"&gt;unforgettably heartbreaking.&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;&lt;em&gt;Animal-Man #5, 1988&lt;/em&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;table cellspacing="0" cellpadding="0" width="92%" border="0"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td width="75%"&gt;&lt;strong&gt;&lt;span style="font-family:arial;"&gt;Dare&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;Morrison's revisionist version of Britain's famous&lt;br /&gt;Dan Dare&lt;/span&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;. Animal-Man fans in particular should&lt;br /&gt;enjoy this&lt;/span&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;.&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="font-size:85%;"&gt;&lt;em&gt;Revolver Magazine #1-7, 1990-91&lt;br /&gt;Crisis Magazine #56, 1991&lt;/em&gt;&lt;/span&gt; &lt;/span&gt;&lt;/td&gt;&lt;td width="32%"&gt;&lt;a href="http://podcast.inmotionhosting.com/revolver1.jpg"&gt;&lt;img height="200" src="http://podcast.inmotionhosting.com/th_revolver1.jpg" width="134" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;table cellspacing="0" cellpadding="0" width="93%" border="0"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td width="35%"&gt;&lt;a href="http://podcast.inmotionhosting.com/ff1.jpg"&gt;&lt;img height="200" src="http://podcast.inmotionhosting.com/th_ff1.jpg" width="130" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;br /&gt;&lt;td width="65%"&gt;&lt;strong&gt;&lt;span style="font-family:arial;"&gt;A Glass of Water&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;A middle-aged librarian reflects on her life of lonliness and a recent humiliation. Dave McKean&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:arial;"&gt; employs a variety of stylistic changes throughout this static scene.&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;em&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;Fast Forward #1&lt;/span&gt;&lt;/em&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;&lt;em&gt;, 1992&lt;/em&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div style="CLEAR: both; PADDING-BOTTOM: 0.25em"&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/19185617-113269725045993362?l=sequentialskeletons.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/19185617/posts/default/113269725045993362'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/19185617/posts/default/113269725045993362'/><link rel='alternate' type='text/html' href='http://sequentialskeletons.blogspot.com/2005/11/grant-morrison.html' title='Grant Morrison'/><author><name>Charlito and Mister Phil</name><uri>http://www.blogger.com/profile/05482247971526855884</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://3.bp.blogspot.com/_mQxCWacTV_o/SRKRcSutCvI/AAAAAAAAAAM/2PLmgY_g58U/S220/isr.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-19185617.post-113299396049349726</id><published>2005-11-14T00:18:00.000-08:00</published><updated>2005-11-26T01:00:05.246-08:00</updated><title type='text'>Matt Wagner</title><content type='html'>From &lt;a href="http://indiespinnerrack.blogspot.com/2005/11/indie-spinner-rack-issue-8.html"&gt;Indie Spinner Rack Issue #8&lt;/a&gt;&lt;br /&gt;&lt;table cellspacing="0" cellpadding="0" width="92%" border="0"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td width="75%"&gt;&lt;span style="font-family:arial;"&gt;&lt;strong&gt;The True North&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;Matt provides a full-color centerfold pin-up to this&lt;br /&gt;anti-censorship benefit comic. The second issue,&lt;br /&gt;from 1991, saw Matt return with a quasi-sequel to&lt;br /&gt;Exquisite Corpse (which we discussed in&lt;br /&gt;Indie Spinner Rack Issue #1).&lt;/span&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;em&gt;The True North #1, 1988&lt;/em&gt;&lt;/span&gt; &lt;/span&gt;&lt;/td&gt;&lt;td width="32%"&gt;&lt;a href="http://podcast.inmotionhosting.com/truenorth1.jpg"&gt;&lt;img height="200" src="http://podcast.inmotionhosting.com/th_truenorth1.jpg" width="131" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;table cellspacing="0" cellpadding="0" width="93%" border="0"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td width="35%"&gt;&lt;a href="http://podcast.inmotionhosting.com/ebnn5.jpg"&gt;&lt;img height="200" src="http://podcast.inmotionhosting.com/th_ebnn5.jpg" width="130" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;br /&gt;&lt;td width="65%"&gt;&lt;strong&gt;&lt;span style="font-family:Arial;"&gt;Eb'nn the Raven&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;A very nice early Wagner painting wasted.&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;&lt;em&gt;Eb'nn the Raven #5, 1985&lt;/em&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;table cellspacing="0" cellpadding="0" width="92%" border="0"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td width="75%"&gt;&lt;strong&gt;&lt;span style="font-family:Arial;"&gt;Nexus&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;An early piece featured in the letter column gallery.&lt;/span&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="font-size:85%;"&gt;&lt;em&gt;Nexus #6, 1984&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/td&gt;&lt;td width="32%"&gt;&lt;a href="http://podcast.inmotionhosting.com/nexus.jpg"&gt;&lt;img height="160" src="http://podcast.inmotionhosting.com/th_nexus.jpg" width="167" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;table cellspacing="0" cellpadding="0" width="93%" border="0"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td width="35%"&gt;&lt;a href="http://podcast.inmotionhosting.com/gren19.jpg"&gt;&lt;img height="200" src="http://podcast.inmotionhosting.com/th_gren19.jpg" width="98" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;br /&gt;&lt;td width="65%"&gt;&lt;strong&gt;&lt;span style="font-family:Arial;"&gt;Devil Eyes&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;Hunter Rose visits Tommy Nuncio in Wagner's bug-eyed homage to Harvey Kurtzman.&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;&lt;em&gt;Grendel #19, 1988&lt;/em&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div style="CLEAR: both; PADDING-BOTTOM: 0.25em"&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/19185617-113299396049349726?l=sequentialskeletons.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/19185617/posts/default/113299396049349726'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/19185617/posts/default/113299396049349726'/><link rel='alternate' type='text/html' href='http://sequentialskeletons.blogspot.com/2005/11/matt-wagner.html' title='Matt Wagner'/><author><name>Charlito and Mister Phil</name><uri>http://www.blogger.com/profile/05482247971526855884</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://3.bp.blogspot.com/_mQxCWacTV_o/SRKRcSutCvI/AAAAAAAAAAM/2PLmgY_g58U/S220/isr.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-19185617.post-113299271023345238</id><published>2005-11-14T00:17:00.000-08:00</published><updated>2005-11-26T00:26:29.570-08:00</updated><title type='text'>Dave Stevens</title><content type='html'>From &lt;a href="http://indiespinnerrack.blogspot.com/2005/11/indie-spinner-rack-issue-8.html"&gt;Indie Spinner Rack Issue #8&lt;/a&gt;&lt;br /&gt;&lt;table cellspacing="0" cellpadding="0" width="92%" border="0"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td width="75%"&gt;&lt;span style="font-family:arial;"&gt;&lt;strong&gt;Sheena: Queen of the Jungle&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;What needs to be said about Dave Stevens' work?&lt;br /&gt;Exactly - nothing. So just enjoys the images, folks.&lt;/span&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;em&gt;Sheena: Queen of the Jungle 3-D Special #1, 1985&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/td&gt;&lt;td width="32%"&gt;&lt;a href="http://podcast.inmotionhosting.com/sheena.jpg"&gt;&lt;img height="200" src="http://podcast.inmotionhosting.com/th_sheena.jpg" width="131" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;table cellspacing="0" cellpadding="0" width="93%" border="0"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td width="35%"&gt;&lt;a href="http://podcast.inmotionhosting.com/lustdust.jpg"&gt;&lt;img height="200" src="http://podcast.inmotionhosting.com/th_lustdust.jpg" width="130" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;br /&gt;&lt;td width="65%"&gt;&lt;strong&gt;&lt;span style="font-family:Arial;"&gt;Lust and the Dust&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:arial;"&gt;A print included in a combo-repackaging of Comico's graphic novels Rio and The World of Ginger Fox.&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;&lt;em&gt;Lust and the Dust, 1988&lt;/em&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;table cellspacing="0" cellpadding="0" width="92%" border="0"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td width="75%"&gt;&lt;strong&gt;&lt;span style="font-family:Arial;"&gt;Legends of the Stargrazers&lt;/span&gt;&lt;/strong&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="font-size:85%;"&gt;&lt;em&gt;Vanguard Illustrated #2, 1984 &lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/td&gt;&lt;td width="32%"&gt;&lt;a href="http://podcast.inmotionhosting.com/van2.jpg"&gt;&lt;img height="200" src="http://podcast.inmotionhosting.com/th_van2.jpg" width="134" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;table cellspacing="0" cellpadding="0" width="93%" border="0"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td width="35%"&gt;&lt;a href="http://podcast.inmotionhosting.com/crossfire.jpg"&gt;&lt;img height="200" src="http://podcast.inmotionhosting.com/th_crossfire.jpg" width="130" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;br /&gt;&lt;td width="65%"&gt;&lt;strong&gt;&lt;span style="font-family:Arial;"&gt;Crossfire &amp; Marilyn&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;The Norma Jean Conspiracy&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;&lt;em&gt;Crossfire #12, 1985&lt;/em&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div style="CLEAR: both; PADDING-BOTTOM: 0.25em"&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/19185617-113299271023345238?l=sequentialskeletons.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/19185617/posts/default/113299271023345238'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/19185617/posts/default/113299271023345238'/><link rel='alternate' type='text/html' href='http://sequentialskeletons.blogspot.com/2005/11/dave-stevens.html' title='Dave Stevens'/><author><name>Charlito and Mister Phil</name><uri>http://www.blogger.com/profile/05482247971526855884</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://3.bp.blogspot.com/_mQxCWacTV_o/SRKRcSutCvI/AAAAAAAAAAM/2PLmgY_g58U/S220/isr.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-19185617.post-113299650309459103</id><published>2005-10-15T08:47:00.000-07:00</published><updated>2005-11-26T01:16:18.076-08:00</updated><title type='text'>George Perez</title><content type='html'>From &lt;a href="http://indiespinnerrack.blogspot.com/2005/10/indie-spinner-rack-issue-4.html"&gt;Indie Spinner Rack Issue #4&lt;/a&gt;&lt;br /&gt;&lt;table cellspacing="0" cellpadding="0" width="92%" border="0"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td width="75%"&gt;&lt;span style="font-family:arial;"&gt;&lt;strong&gt;Avengers #195&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;One of the very first comics I bought as a young boy,&lt;br /&gt;this is only one of a great run by an excellent artist.&lt;/span&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;em&gt;Avengers #195, 1980&lt;/em&gt;&lt;/span&gt; &lt;/span&gt;&lt;/td&gt;&lt;td width="32%"&gt;&lt;a href="http://podcast.inmotionhosting.com/Avengers195.jpg"&gt;&lt;img height="200" src="http://podcast.inmotionhosting.com/th_Avengers195.jpg" width="131" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;table cellspacing="0" cellpadding="0" width="93%" border="0"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td width="35%"&gt;&lt;a href="http://podcast.inmotionhosting.com/sachs.jpg"&gt;&lt;img height="200" src="http://podcast.inmotionhosting.com/th_sachs.jpg" width="130" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;br /&gt;&lt;td width="65%"&gt;&lt;strong&gt;&lt;span style="font-family:Arial;"&gt;Sachs &amp; Violens&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;Perez and Peter David dished up the T&amp;amp;A along with&lt;br /&gt;plenty of gunplay and blood in this 4-issue mini-series from Epic Comics' Heavy Hitters line.&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:arial;font-size:85%;"&gt;&lt;em&gt;Sachs &amp;amp; Violens #1-4, 1993&lt;/em&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/19185617-113299650309459103?l=sequentialskeletons.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/19185617/posts/default/113299650309459103'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/19185617/posts/default/113299650309459103'/><link rel='alternate' type='text/html' href='http://sequentialskeletons.blogspot.com/2005/10/george-perez.html' title='George Perez'/><author><name>Charlito and Mister Phil</name><uri>http://www.blogger.com/profile/05482247971526855884</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://3.bp.blogspot.com/_mQxCWacTV_o/SRKRcSutCvI/AAAAAAAAAAM/2PLmgY_g58U/S220/isr.gif'/></author></entry></feed>
